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Repatriation of Cacao-Related Archeological Pieces to Mesoamerica and U.S. Southwest

Updated: 20 hours ago



How to cite

Martin, Carla D., and López Ganem, José J. “Repatriation of Cacao-Related Archeological Pieces to Mesoamerica and U.S. Southwest.” Fine Cacao and Chocolate Institute, May 15, 2025, https://www.chocolateinstitute.org/post/repatriation-of-cacao-related-archeological-pieces-to-us-southwest-and-mesoamerica.

How to contact the authors

contact [at] chocolateinstitute [dot] org

Cacao producing communities worldwide, such as those situated in the Hawaiian archipelago, the Amazonian region between Ecuador and Colombia, the Grand-Bassam shores of Cote d’Ivoire, and the rolling hills of Taiwan, are increasingly turning to culture, ecotourism, and storytelling to highlight their unique regional contributions to the cacao and chocolate supply chain. This cultural focus on cacao and chocolate is not only an exercise of local pride, it also reflects a rational economic strategy to diversify cacao production income streams, entice youth participation in rural development, and include the voices of all supply chain stakeholders, especially cacao producers, in the narration of their values.


Mesoamerica - a region encompassing southern Mexico, Belize, Guatemala, Honduras, Nicaragua, El Salvador, Costa Rica, Panama, and northern Colombia - has a special claim to cacao and chocolate storytelling, due to its uninterrupted production and consumption of cacao-based products, either through historical formulations still consumed among Indigenous Peoples or through the diasporic connections that multicultural communities have created. 


Examples of this new chapter of asserting ownership over Mesoamerican cacao and chocolate heritage come in the form of two museums: Casa Universitaria Cacao y Chocolate UJAT or the Museo Regional La Cacaotera, both based in the city of Villahermosa, Tabasco, Mexico, the capital of the country’s main cacao producing state. Each of these spaces includes educational, interactive, sensory exhibits designed to support visitors in learning about the crop, the food, and the people who engage with it.


At the same time, many of the finest pieces of cacao- and chocolate-related art and material culture from Mesoamerica can only be seen outside of the region, in museums and private collections of North America, Europe, and East Asia. We at FCCI are on a mission to change this. 


In November 2023, the minds behind the development of the Museo Regional La Cacaotera invited FCCI to contribute to the development of their permanent exhibition by locating and repatriating - a process of returning ancient objects to the countries of origin via formal diplomatic and legal processes - archeological pieces from the historic civilizations of Mesoamerica that engaged in longstanding cacao and chocolate production and consumption. 


From March to November 2024, our team at FCCI reached out to private dealers and collectors of Mesoamerican cacao and chocolate pieces to inquire about the possibility of repatriating relevant items from their collections for the benefit of the Mesoamerican public. Our goal was to return these items to their countries of origin, either destined for academic study or display in museum spaces such as the Museo Regional La Cacaotera. After an initial round of conversations, either through donations or sponsored acquisitions, FCCI received over 65 pieces of archeological and cultural material created by historical civilizations from the nations now known as Colombia, Costa Rica, El Salvador, Honduras, Panama, Mexico, and the United States. 



Dr. Carla D. Martin, FCCI’s President of the Board, shows Francisco Díaz, a young visitor to La Colaborativa, two Salvadorean vases (donated by a trade professional in Washington, D.C.) in Chelsea, MA in October 2024. (c) Fine Cacao and Chocolate Institute
Dr. Carla D. Martin, FCCI’s President of the Board, shows Francisco Díaz, a young visitor to La Colaborativa, two Salvadorean vases (donated by a trade professional in Washington, D.C.) in Chelsea, MA in October 2024. (c) Fine Cacao and Chocolate Institute

Working with expert advisors - valuators, archeologists, anthropologists, art historians, museologists, and cacao producers themselves - we conducted in-depth research, curated key information, and completed documentation for each item. We also began the lengthy process of connecting with diplomatic and government officials to certify the authenticity of each individual piece and to confirm that there was a willingness to return these priceless pieces of art and material culture to their origin and allow them to become part of future public conversations.


As we worked through the research process and bureaucratic hurdles of repatriation, we hosted four public events to showcase these pieces on the East Coast of the United States, with a special emphasis on sharing the work with the Latina(o)(é) communities in New England and New York. We were honored to host over three hundred guests in different settings - from a chocolate factory to a nonprofit community space. We are thankful to Tangle Chocolate, Boston University’s Food Studies Programs, La Colaborativa, and the Museum of Food and Drink for opening their doors for cooking demonstrations, academic talks, and soirées, all of which served as spaces to welcome peers and newcomers in supporting material culture preservation. 


While some pieces will become part of the permanent collections at Mexico’s National Museum of Anthropology and the National Museum of Costa Rica, others will find their way to centers such as La Cacaotera in Tabasco, Mexico, and to university research groups with the skills to analyze them rigorously. It is our sincere hope that these pieces will contribute to the ongoing progress in ecotourism and cultural storytelling in cacao producing regions, as well as to further enlightenment through their scholarly study. 

 

Efforts that seek to explore storytelling and preservation as vehicles for economic growth are nothing new. Moreover, as calls for material repatriation continue to develop worldwide (read here and here), exercises that innovate from traditional approaches to claim and return cultural heritage and intellectual property are urgently needed. FCCI’s amicable and thematic approach to contacting individual firms and collectors yielded a celebration of shared culture among Mesoamerican stakeholders and sparked curiosity in cacao and chocolate from private collectors worldwide. Public and private institutions - museums, universities, national governments, international embassies - also showed a degree of flexibility engaging us, and found that a repatriation exercise could also bring them closer to their objectives to preserve cultural heritage, highlight commonalities, make the past and present available to the public, and hopefully regain material control of these meaningful (and often astonishing) objects. 


José López Ganem, FCCI’s Executive Director, and Consul General of Mexico to New England, Alberto Fierro Garza, celebrate one of the repatriation ceremonies at the Mexican Consulate in Boston, MA in September 2024. (c) General Consulate of Mexico to New England/Bárbara del Castillo
José López Ganem, FCCI’s Executive Director, and Consul General of Mexico to New England, Alberto Fierro Garza, celebrate one of the repatriation ceremonies at the Mexican Consulate in Boston, MA in September 2024. (c) General Consulate of Mexico to New England/Bárbara del Castillo

With the formal repatriation of all pieces now complete, FCCI has passed the baton to federal and tribal governments in Mesoamerica and the United States. Pieces were formally delivered to the Consulate of Mexico in the City of Boston, MA, on Thursday, September 12, 2024, to the Embassies Colombia, Costa Rica, El Salvador, and Mexico, in Washington, D.C. on Friday, April 25, 2025, and to the Pueblo of Jemez, NM, on Wednesday May 14, 2025. 


We remain forever grateful to our colleagues and partner institutions for their support in this endeavor. Please see here a full list of acknowledgements below.



Photos: (Left) José López Ganem, FCCI’s Executive Director, addresses diplomats and representatives of different Mesoamerican nations, (Middle) Ambassadors Esteban Moctezuma (Mexico) and Catalina Crespo (Costa Rica), accompanied by diplomatic representatives from several other Mesoamerican countries, inspect archeological pieces during the repatriation ceremony in Washington, D.C. in April 2025.  (Right) A selection of specialty chocolate bars made with Mesoamerican cacao (Colombia - BOHO, Costa Rica - AraCacao, El Salvador - Belú Cacao, Honduras - Dandelion Chocolate, Mexico - Maeve Chocolate and Sleepwalk Chocolatería) offered as tokens of appreciation for attendees of the repatriation ceremony in Washington, D.C. in April 2025. (c) Fine Cacao and Chocolate Institute.


Acknowledgements

Fine Cacao and Chocolate Institute 

Carla D. Martin, PhD, President of the Board of Directors

Kathryn Sampeck, PhD, Secretary of the Board of Directors

Megan J. Elias, PhD, Member of the Board of Directors


Pueblo of Jemez (Walatowa) 

Joseph “Brophy” Toledo

Chief Cultural Advisors of the Pueblo of Jemez  


Embassy of the Republic of Costa Rica to the United States of America

HE Catalina Crespo Sancho, Ambassador


Embassy of the Republic of El Salvador to the United States of America 

HE Milena Mayorga, Ambassador 


Embassy of the Republic of Honduras to the United States of America 

HE Javier Efraín Bú Soto, Ambassador 

Gladis Arias 


Embassy of the United Mexican States to the United States of America 

HE Esteban Moctezuma Barragán, Ambassador 

HE Ana Luisa Fajer, Chief of Chancellery 

Alejandra Mayela Martínez Silva & Luz Eugenia Figueroa Vízcaino


General Consulate of the Republic of Colombia in Boston, MA

Daisy Carolina Mejia Gil, Consul General 


General Consulate of the Republic of El Salvador in Boston, MA

Abelino Chicas Rodriguez, Consul General 


General Consulate of the United Mexican States in Boston, MA

Alberto Fierro Garza, Consul General 


Agrofloresta Mesoamericana 

Hugo Francisco Chavez Ayala 

Individuals

Individuals

Institutions

Industry

Elizabeth Amrien

Karina Archundia Bolaños 

Allegra Ben-Amotz

Andrea Berlin

Jean-Louis Berthet

Mark Blackburn 

Ronda Brulotte, PhD 

Charlie Burke 

Estela Calzada

Barbara del Castillo Niño

Andrea Catania 

Irany Córdova

Francisco Cubas 

Laura Del Olmo Frese, PhD 

Catie Duckworth 

Suzanne Forman

Roger Fragua

Bryn Fragua

Patrica Ganem

Ana Rita García-Lascurain 

Jorge Gaviria 

Darry Goodrich 

Miguel Guerrero 

José Heriberto Erquicia, PhD


Milène Jardine

Natialia Krutko Seballos 

Andrea Y. Lloreda Florez

Andréa López 

Jaime D. López

Dianne and David Martin

Donna and Lauren Mazzella

Sue McGovern-Huffman 

Cameron McNeil, PhD 

Karen Methany, PhD 

Howard Nowes 

Catherine Piccoli

Michelle Roman

Andrea Reed-Leal 

Camilo Saavedra 

Kari Schleher, PhD 

Carla Sinopoli, PhD

Maria Sousa 

Ron Sweetser  

Joseph “Brophy” Toledo 

Philip White 

Camela Zarcone 

Héctor Zavala 

Ursula XVII


BU Center for Latin America 

BU Department of Archeology

BU Food Studies Programs

Consulate of Costa Rica (NY) 

Consulate of El Salvador (MA)

Consulate of El Salvador (NY)

Consulate General of Mexico (MA)

Embassy of Costa Rica (US)

Embassy of Colombia (US) 

Embassy of El Salvador (US) 

Embassy of Honduras (US) 

Embassy of Mexico (US)

Harvard University 

La Colaborativa Chelsea (US)

Mexican Cultural Institute D.C.

MUCHO Museo de Chocolate

Museo Regional La Cacaotera  

Museum of Food and Drink (MoFAD) 

National Museum of Anthropology (Mexico)

National Museum of Costa Rica 

UNAM Boston 

Universidad Pedagógica de El Salvador 

University of New Mexico 

Agrofloresta Mesoamericana

Ara Cacao 

Belú Cacao

BOHO Chocolate 

Cacao Hunters 

Cacao para Todos

Dandelion Chocolate

Disset Chocolate 

Equal Exchange

Hernán 

KLEIO 

Maeve Chocolate 

Maman Coffee and Bakery 

Milene Jardine Chocolatier

Masienda 

Nawal Chocolate

Raaka Chocolate 

Republica del Cacao 

Sleepwalk Chocolateria 

Tangle Chocolate


Volunteers and Communities

Docents and Volunteers of the Mexican Cultural Institute of Washington D.C.

Docents and Volunteers of the Museum of Food and Drink

Researchers of the National Institute of Anthropology of History of Mexico 

Stewards and Cleaning Staff of Boston Universities Food Studies Programs  

Stewards and Cleaning Staff of the Museum of Food and Drink 

Team of the General Consulate of Colombia in Boston 

Team of the General Consulate of Mexico in Boston 

Team and Leadership of the Heirloom Cacao Preservation Fund 

Team and Leadership of Raaka Chocolate 

Team of República del Cacao USA


Support FCCI

Do you find this useful? Help us do more pro bono work like this by making a donation to FCCI.


Curious to learn more about collection and repatriation processes? Here are a few books we recommend.


Fried, Stephen. 2010. Appetite for America : How Visionary Businessman Fred Harvey Built a Railroad Hospitality Empire That Civilized the Wild West. 1st ed. New York: Bantam Books.


Hicks, Dan. 2020. The Brutish Museums : The Benin Bronzes, Colonial Violence and Cultural Restitution. London: Pluto Press.


Jacobs, Justin. 2024. Plunder? : How Museums Got Their Treasures. London: Reaktion Books Ltd.


McEwan, Colin, John W Hoopes, and Dumbarton Oaks. 2021. Pre-Columbian Central America, Colombia, and Ecuador : Toward an Integrated Approach. Washington. D.C.: Dumbarton Oaks Research Library and Collection. 


Thompson, Erin L. 2016. Possession : The Curious History of Private Collectors from Antiquity to the Present. New Haven: Yale University Press.

 
 
 
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